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![](/img/b.png) | | time | views | |
![](https://i.ytimg.com/vi/p2qsTja-rS4/default.jpg) | Final Cut Pro X - #44: Markers, Notas y Capítulos | 9:54 | 10,404 | 1 list |
![](https://i.ytimg.com/vi/-SU-Y7J87Zg/default.jpg) | Motion - #16: Motion Tracking | 12:41 | 7,375 | |
![](https://i.ytimg.com/vi/YqGP4SPHIGs/default.jpg) | Final Cut Pro X - #43: Trabajando con archivos de RED | 10:10 | 9,183 | 1 list |
![](https://i.ytimg.com/vi/csGKRlJGeDk/default.jpg) | Un tip para directores de fotografía | 1:55 | 12,361 | 1 list |
![](https://i.ytimg.com/vi/6oy3HmYiLuM/default.jpg) | Qué es la continuidad en el cine | 5:41 | 10,988 | 1 list |
![](https://i.ytimg.com/vi/ZWPzE6ATz2s/default.jpg) | Motion - #15: Efecto cámara en mano | 10:20 | 8,970 | |
![](https://i.ytimg.com/vi/myLoqxACu_k/default.jpg) | Final Cut Pro X - #42: Slideshows para fotos | 8:40 | 33,939 | 1 list |
![](https://i.ytimg.com/vi/DP2OyqNbFSg/default.jpg) | Cómo trabajar el conflicto en nuestros guiones | 5:00 | 8,914 | 1 list |
![](https://i.ytimg.com/vi/K13ekAfsqQA/default.jpg) | Para qué sirve una claqueta | 5:59 | 27,685 | 1 list |
![](https://i.ytimg.com/vi/AdiNnvjl-no/default.jpg) | Motion - #14: Cámara y movimientos | 9:44 | 10,507 | |
![](https://i.ytimg.com/vi/6HkowoUt2PQ/default.jpg) | Final Cut Pro X - #41: ¿Dónde están los Scopes? | 6:35 | 10,986 | 1 list |
![](https://i.ytimg.com/vi/K0wuESrf1rs/default.jpg) | 5 curiosidades sobre el CINE PORNO | 2:53 | 1,325,800 | |
![](https://i.ytimg.com/vi/kIAzZUC2a_w/default.jpg) | Motion - #13: Layers 3D | 11:26 | 10,284 | |
![](https://i.ytimg.com/vi/_ebTbSJloMY/default.jpg) | Final Cut Pro X - #40: Edición en Multicam | 11:46 | 32,417 | 1 list |
![](https://i.ytimg.com/vi/yG-RMtUj4g0/default.jpg) | La importancia de los días extra en un rodaje | 4:56 | 5,640 | 1 list |
![](https://i.ytimg.com/vi/2P3oHO8RKvE/default.jpg) | Qué cámaras conviene comprar | 22:30 | 129,260 | 1 list |
![](https://i.ytimg.com/vi/7J8LsXwF_yw/default.jpg) | Motion - #12: Exportando nuestro proyecto | 8:45 | 7,687 | |
![](https://i.ytimg.com/vi/ZJmFKwRIBcQ/default.jpg) | Final Cut Pro X - #39: Subtítulos | 11:12 | 24,106 | 1 list |
![](https://i.ytimg.com/vi/yHS7v3jlIlg/default.jpg) | Cómo presupuestar una película | 21:14 | 17,397 | 1 list |
![](https://i.ytimg.com/vi/8AuQFF_cyUI/default.jpg) | Motion - #11: Intro simple 1 | 20:31 | 16,469 | |
![](https://i.ytimg.com/vi/sIXt_05hrjI/default.jpg) | Final Cut Pro X - #38: Interlace y de-interlace | 7:12 | 12,193 | 1 list |
![](https://i.ytimg.com/vi/zurnQuve9Hc/default.jpg) | Motion - #10: Efecto de clonación | 18:26 | 19,129 | |
![](https://i.ytimg.com/vi/RLxS7QVrrJI/default.jpg) | Final Cut Pro X - #37: Split screen (pantalla partida) | 14:53 | 24,727 | 1 list |
![](https://i.ytimg.com/vi/0tw-E9A8FJc/default.jpg) | ¡¡¡20,000 Suscriptores en ZEPfilms!!! | 5:14 | 3,974 | |
![](https://i.ytimg.com/vi/cQA9vT-OQEY/default.jpg) | Motion - #9: Máscaras | 11:44 | 11,138 | |
![](https://i.ytimg.com/vi/0YAIRMHSwCY/default.jpg) | Final Cut Pro X - #36: Dos efectos para censurar rostros | 9:37 | 16,934 | 1 list |
![](https://i.ytimg.com/vi/q8lJSBa1mRw/default.jpg) | Motion - #8: Keyframe Editor | 13:15 | 8,931 | |
![](https://i.ytimg.com/vi/0JYhdjtB7dw/default.jpg) | Final Cut Pro X - #35: Archivos Offline | 6:36 | 11,352 | 1 list |
![](https://i.ytimg.com/vi/0ZLm6xd4bBw/default.jpg) | Motion - #7: Filtros | 11:20 | 10,268 | |
![](https://i.ytimg.com/vi/zy0sHPrjeOY/default.jpg) | Final Cut Pro X - #34: Audition | 8:23 | 10,076 | 1 list |
![](https://i.ytimg.com/vi/9pRfk3x2HP8/default.jpg) | 10 TIPS para editores de video | 16:30 | 126,113 | 1 list |
![](https://i.ytimg.com/vi/YxWtcoS-Mwc/default.jpg) | Motion - #6: Keyframes | 14:11 | 13,606 | |
![](https://i.ytimg.com/vi/u8m5iLYiTFc/default.jpg) | Final Cut Pro X - #33: Videos en HD para YouTube | 9:42 | 21,247 | 1 list |
![](https://i.ytimg.com/vi/GMyNp2_NtTQ/default.jpg) | Qué micrófonos se usan en una película | 5:31 | 30,325 | 1 list |
![](https://i.ytimg.com/vi/JZH8ejA-b3M/default.jpg) | Motion - #5: Texto | 15:46 | 16,962 | |
![](https://i.ytimg.com/vi/xphE8G8L-rg/default.jpg) | Final Cut Pro X - #32: Efecto Instagram | 12:40 | 18,332 | 1 list |
![](https://i.ytimg.com/vi/7egdZkSXxV8/default.jpg) | Motion - #4: Cambio de duración en composiciones | 4:60 | 13,233 | |
![](https://i.ytimg.com/vi/Nx00-sAs1zw/default.jpg) | Final Cut Pro X - #31 - Timecode | 9:47 | 15,076 | 1 list |
![](https://i.ytimg.com/vi/WswL1ZNpxns/default.jpg) | El plano cinematográfico y otras técnicas | 10:36 | 65,655 | 1 list |
![](https://i.ytimg.com/vi/t0vpFfhpeT0/default.jpg) | Motion - #3: Timeline | 7:44 | 15,423 | |
![](https://i.ytimg.com/vi/VRh2cHZk758/default.jpg) | Final Cut Pro X - #30: Copiar y pegar efectos | 4:18 | 18,641 | 1 list |
![](https://i.ytimg.com/vi/-GvukxVYoWg/default.jpg) | ¿Qué es 1080p? | 9:46 | 53,116 | 1 list |
![](https://i.ytimg.com/vi/zJlKl-wA3XU/default.jpg) | Motion - #2: Layout | 9:54 | 23,034 | |
![](https://i.ytimg.com/vi/JHBtkYrFLd4/default.jpg) | Final Cut Pro X - #29: Logística y discos externos | 6:49 | 19,091 | 1 list |
![](https://i.ytimg.com/vi/svhpP1RUDkQ/default.jpg) | EL SUPLICIO - Detrás de Escenas | 4:47 | 14,565 | |
![](https://i.ytimg.com/vi/Z62ZDbrTBW4/default.jpg) | EL SUPLICIO - Storyboards | 25:45 | 24,364 | |
![](https://i.ytimg.com/vi/SckelqK77QU/default.jpg) | Cómo hacer un Storyboard | 3:42 | 83,181 | 1 list |
![](https://i.ytimg.com/vi/u4t_bFd7HlI/default.jpg) | Motion - #1: Primeros pasos | 9:18 | 47,998 | |
![](https://i.ytimg.com/vi/5e2C4JknSFo/default.jpg) | EL SUPLICIO - Corto de terror | 9:41 | 58,801 | |
![](https://i.ytimg.com/vi/6jogQjrxQYU/default.jpg) | Final Cut Pro X - #28: Archivos optimizados | 7:30 | 12,005 | 1 list |
![](https://i.ytimg.com/vi/JSFzAwFZZj0/default.jpg) | DRAW MY LIFE | Nicolás Amelio-Ortiz (ZEPfilms) | 6:50 | 111,819 | 1 list |
![](https://i.ytimg.com/vi/O4qwk97EB8Y/default.jpg) | Final Cut Pro X - #27: Archivos Proxy | 5:18 | 14,108 | 1 list |
![](https://i.ytimg.com/vi/BE-2uc_25sI/default.jpg) | Qué es el efecto Kuleshov | 3:31 | 51,035 | 1 list |
![](https://i.ytimg.com/vi/p-_zyxAXxsU/default.jpg) | Final Cut Pro X - #26: Flip horizontal/vertical | 3:46 | 21,214 | 1 list |
![](https://i.ytimg.com/vi/_78PjfOlrTo/default.jpg) | La regla de los 180 grados en cine | 3:45 | 26,408 | 1 list |
![](https://i.ytimg.com/vi/uC2SgVEbBkM/default.jpg) | Final Cut Pro X - #25: Marcas de Agua | 10:36 | 20,800 | 1 list |
![](https://i.ytimg.com/vi/qWoj7QvjCZU/default.jpg) | Final Cut Pro X - #24: Chroma Keying | 10:55 | 34,616 | 1 list |
![](https://i.ytimg.com/vi/MSnrDXr21mE/default.jpg) | Final Cut Pro X - #23: Estabilización de cámara | 7:38 | 24,783 | 1 list |
![](https://i.ytimg.com/vi/sOFk3t0_trw/default.jpg) | 5 Técnicas básicas de Montaje | 7:19 | 116,319 | 1 list |
![](https://i.ytimg.com/vi/-pQuWxdocnQ/default.jpg) | Final Cut Pro X - #22: Slow Motion, Fast Forward y Freeze Frame | 15:13 | 45,567 | 1 list |
![](https://i.ytimg.com/vi/vkAE20qI6XM/default.jpg) | Todo se arregla en post (la gran mentira) | 6:10 | 12,241 | 1 list |
![](https://i.ytimg.com/vi/0hVxfJvLY0U/default.jpg) | Final Cut Pro X - #21: Banners y lower thirds | 8:57 | 23,887 | 1 list |
![](https://i.ytimg.com/vi/aaLOLUEVS28/default.jpg) | Final Cut Pro X - #20: Compound clips | 7:20 | 22,277 | 1 list |
![](https://i.ytimg.com/vi/xCFI_8otUaM/default.jpg) | Cómo hacer un Timelapse con nuestra Cámara | 8:16 | 46,295 | 1 list |
![](https://i.ytimg.com/vi/Ma74renPtu8/default.jpg) | Final Cut Pro X - #19: Timelapse | 6:40 | 48,714 | 1 list |
![](https://i.ytimg.com/vi/JSmyMQI9T_Q/default.jpg) | Final Cut Pro X - #18: Exportación de archivos | 7:47 | 103,980 | 1 list |
![](https://i.ytimg.com/vi/QWKfetWf-AM/default.jpg) | ¿Quienes trabajan en una película? | 9:20 | 15,473 | 1 list |
![](https://i.ytimg.com/vi/JzkKLQrvEs4/default.jpg) | Final Cut Pro X - #17: Efectos de audio | 9:60 | 28,785 | 1 list |
![](https://i.ytimg.com/vi/gG8PVtOJNXE/default.jpg) | Final Cut Pro X - #16: Mezcla de audio | 10:26 | 48,757 | 1 list |
![](https://i.ytimg.com/vi/OQQBhGmrB-g/default.jpg) | Final Cut Pro X - #15: Video animation | 6:56 | 36,876 | 1 list |
![](https://i.ytimg.com/vi/u-2okSVZpuo/default.jpg) | Final Cut Pro X - #14: Keyframes | 10:50 | 40,123 | 1 list |
![](https://i.ytimg.com/vi/qNXpS6nLLRU/default.jpg) | Final Cut Pro X - #13: Novedades de la versión 10.0.6 | 12:33 | 42,513 | 1 list |
![](https://i.ytimg.com/vi/HEHgq079vuo/default.jpg) | Cómo hacer una adaptación cinematográfica | 7:23 | 9,691 | 1 list |
![](https://i.ytimg.com/vi/ZS6Gg-o5Oow/default.jpg) | Final Cut Pro X - #12: Generadores de Video | 8:50 | 32,131 | 1 list |
![](https://i.ytimg.com/vi/UzAfr0l1TWI/default.jpg) | Cómo desarrollar los personajes de nuestro guión | 6:45 | 19,711 | 1 list |
![](https://i.ytimg.com/vi/C0-Djuceudg/default.jpg) | Final Cut Pro X - #11: Corrección de color (segunda parte) | 15:19 | 30,697 | 1 list |
![](https://i.ytimg.com/vi/5TtVr29EYfI/default.jpg) | 5 Tips para crear personajes Interesantes | 10:10 | 133,103 | 1 list |
![](https://i.ytimg.com/vi/2AfQSVO9Zio/default.jpg) | Final Cut Pro X - #10: Corrección de color (parte 1) | 14:53 | 42,652 | 1 list |
![](https://i.ytimg.com/vi/Ot1dX9onVz4/default.jpg) | El guión y la estructura de los 3 actos | 9:38 | 47,832 | 1 list |
![](https://i.ytimg.com/vi/I_ocMwXsbqY/default.jpg) | Final Cut Pro X - #9: Filtros | 9:00 | 44,103 | 1 list |
![](https://i.ytimg.com/vi/DIYbuijdKtg/default.jpg) | Final Cut Pro X - #8: Edición de texto | 12:47 | 65,379 | 1 list |
![](https://i.ytimg.com/vi/rgfWPDZXHZs/default.jpg) | ¿Debería estudiar cine? | 11:14 | 45,371 | 1 list |
![](https://i.ytimg.com/vi/hGqYRBHukl0/default.jpg) | Final Cut Pro X - #7: Transform, Crop y Distort | 9:48 | 49,313 | 1 list |
![](https://i.ytimg.com/vi/cwOYT_3BBr0/default.jpg) | TOP 10: Libros sobre Cine | 10:70 | 25,724 | 1 list |
![](https://i.ytimg.com/vi/dADANhyREHQ/default.jpg) | Final Cut Pro X - #6: Edición de sonido | 7:53 | 80,562 | 1 list |
![](https://i.ytimg.com/vi/MKwW74GvU0Q/default.jpg) | Cómo escribir una sinopsis y un logline | 7:39 | 17,442 | 1 list |
![](https://i.ytimg.com/vi/SXueq72fwPk/default.jpg) | Final Cut Pro X - #5: Efectos de transición | 8:13 | 75,885 | 1 list |
![](https://i.ytimg.com/vi/kNqYnJ8bq9A/default.jpg) | Cómo escribir un guión técnico | 6:28 | 95,090 | 1 list |
![](https://i.ytimg.com/vi/OIxTWy8BRrU/default.jpg) | Final Cut Pro X - #4: Importación desde nuestra cámara | 9:40 | 50,015 | 1 list |
![](https://i.ytimg.com/vi/8elwuEOnYdQ/default.jpg) | Final Cut Pro X - #3: Timeline | 15:11 | 85,050 | 1 list |
![](https://i.ytimg.com/vi/B3rMvf6iby4/default.jpg) | Cómo encarar la preproducción de una película | 5:58 | 23,342 | 1 list |
![](https://i.ytimg.com/vi/tMiBWy1MqBc/default.jpg) | Final Cut Pro X - #2: Proyectos | 13:48 | 102,368 | 1 list |
![](https://i.ytimg.com/vi/KPmXw7KT33c/default.jpg) | Los 4 pasos para hacer una película | 6:50 | 168,659 | 1 list |
![](https://i.ytimg.com/vi/HyQxc6S__hA/default.jpg) | Final Cut Pro X - #1: Primeros Pasos | 17:21 | 282,833 | 1 list |
![](https://i.ytimg.com/vi/f9f-UutYkuY/default.jpg) | Final Cut Pro 7 - #30: Creando un look cinematográfico | 11:50 | 21,075 | |
![](https://i.ytimg.com/vi/yJN3tiMVqk4/default.jpg) | Cómo hacer una noche americana y... ¿Slenderman? | 4:46 | 15,403 | 1 list |
![](https://i.ytimg.com/vi/_1LSLI9Ceys/default.jpg) | After Effects - #18: Imágenes en 3D | 13:35 | 22,312 | |
![](https://i.ytimg.com/vi/EHKHFESaJfg/default.jpg) | Cómo usar filtros de luz para fotografía | 5:50 | 30,340 | 1 list |
![](https://i.ytimg.com/vi/xGhF06BIDOY/default.jpg) | Final Cut Pro 7 - #29: Efecto Sin City | 6:17 | 13,978 | |
![](https://i.ytimg.com/vi/zLyE9xuHafw/default.jpg) | Qué es la temperatura color | 5:60 | 23,013 | 1 list |
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